Haptic visuality. Still my best-known work, synthesizing a theory of embodied, tactile, and multisensory visuality from Henri Bergson, ...

28,95 $ Marks offers a theory of “haptic visuality”—a visuality that functions like the sense of touch by triggering physical memories of smell, touch, and taste—to ...

8 нояб. 2006 г. · Haptic visuality is thus a “tactile” way of seeing and knowing which more directly involves the viewer's body. The eyes metaphorically function ...

Laura Marks' (2020) haptic visuality theory is based on this idea, according to which the audience and the film are two distinct bodies placed opposite one ...

Laura U. Marks' haptic visuality is presented in her book The Skin on the Film – Intercultural Cinema, Embodiment, and the Senses (2000). In the book ...

Haptic visuality is distinguished from optical visuality, which sees things from enough distance to perceive them as distinct forms in deep space: in other ...

23 июл. 2023 г. · As Laura Marks says, “Tactile visuality draws upon the mimetic knowledge that does no posit a gulf between subject and object, or the spectator ...

'Haptic Visuality'1 is an expression associated with the experience of sensual memorizing within visual representation. Its development as a concept is ...

Among her theoretical contributions is the concept of haptic visuality, according to which a spectator's contact with media is conceived of as touching, as ...

Marks, perhaps best known for her influential theory of haptic visuality, has built an impressive body of work focusing on embodiment in moving image culture.